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Event DJ Pricing

The 5-hour wedding is an 8-hour job — at $85/hr plus rig and mileage the honest quote is $775, and the $500 competitor is working for $35/hr.

The most common DJ pricing mistake is quoting only the hours the client sees. A five-hour wedding is playlist prep, client calls, a venue walkthrough, load-in, five hours of performance, teardown, and an hour of driving — eight hours of work, plus an $8,000 rig that dies on a four-year cycle whether you charge for it or not. This calculator builds the quote the way a full-time pro does: all hours at your target rate, equipment amortized per gig, mileage as a line item, rounded up to a clean number. At standard inputs the honest wedding quote is $775 — and the competitor quoting $500 flat is either at $35 an hour or bleeding equipment money.

Why people use this

DJs use it before quoting the wedding: the 5-hour gig is an 8-hour job plus a $50/gig rig line — the honest quote is $775, and the $500 competitor is working for $35/hr.

How it works

  1. Enter your rig’s value and gigs per year — equipment amortizes over a 4-year life.
  2. Enter performance, prep, and travel hours for the event.
  3. Enter your target hourly rate and round-trip miles.
  4. Read the equipment cost per gig and the cost-based quote, rounded to the next $25.
  5. Check effective hourly and annual gross at your booking volume.

Common questions

Why amortize equipment into every quote?

Because the rig is consumed whether you charge for it or not. Speakers, controller, lights, cables, and backup gear on a four-year replacement cycle at 40 gigs a year means every gig must carry $50 toward the next rig — a gig that pays nothing toward equipment is borrowing from next year’s replacement fund, and the bill arrives as a dead speaker the morning of a wedding. The same logic covers insurance (liability and gear coverage, $300–600/yr), music licensing and subscription pools, and software — add them to the rig value so the per-gig line is honest. Backup gear is not optional at weddings: the contract promises music, and “my controller died” is a refund plus a ruined reputation. Price the backup into the amortization and it stops being charity.

How do deposits and overtime protect the quote?

The date is your inventory — a canceled Saturday cannot be resold — so the booking terms matter as much as the number. Standard terms that work: 50% non-refundable deposit to hold the date (non-refundable inside 90 days), balance due before you unload, and an overtime clause in every contract — a per-hour rate for running long, agreed in advance, so the 8-hour job that becomes 10 hours is paid work, not a donation extracted by a crowd chanting one more song. For out-of-territory gigs, quote travel separately: mileage at $0.70/mi plus your hourly rate for drive time, and lodging when the load-out ends after midnight more than 90 minutes from home. Clients respect itemized quotes more than padded flat ones — the itemization is proof you have done this before.

Should weddings, corporate, and bar gigs all cost the same?

No — they are different products wearing the same name. Weddings carry the most prep (timeline coordination, MC duties, ceremony audio, first-dance precision) and the highest stakes, so they price highest; this calculator’s defaults ARE the wedding case. Corporate events pay best per hour with the least drama — clean playlists, professional MC work, reliable invoicing — and repeat clients make them the margin backbone. Bar and club nights are volume at low rates: worth it while building a name or filling dead Saturdays, but they burn the rig and the voice at $40/hr effective — keep them only until the profitable calendar is full. Add-ons are the margin in every category: ceremony rig, uplighting, photo booth, and extra hours priced separately raise the ticket 20–40% without touching base-quote sticker shock.

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